Oh man! Michael, you are on a roll this month. More good stuff. This was my active research area for a long time, but I've not really had the time—nor funding—to dig like I used to. Too spread out with this organizational stuff, culture politicking, and struggles with the City. The big picture stories are still accessible in my head and in previous research and writing, but you continue to pull up fine detail that even I don't know or recall. Really impressive and timely work. I look forward to reading more.
You have clearly moved beyond being a generic music journalist; you've become a damn fine cultural historian in the process. You continue to write/publish material that I find useful in my work...and I'll continue to share it far and wide. I so appreciate your dedication to collecting and telling these important stories.
Oh man! Michael, you are on a roll this month. More good stuff. This was my active research area for a long time, but I've not really had the time—nor funding—to dig like I used to. Too spread out with this organizational stuff, culture politicking, and struggles with the City. The big picture stories are still accessible in my head and in previous research and writing, but you continue to pull up fine detail that even I don't know or recall. Really impressive and timely work. I look forward to reading more.
You have clearly moved beyond being a generic music journalist; you've become a damn fine cultural historian in the process. You continue to write/publish material that I find useful in my work...and I'll continue to share it far and wide. I so appreciate your dedication to collecting and telling these important stories.
--h
Cool article, man!
If you know, what's with the super-heavy duty tonearm used by Dr Hepcat at KVET 1953?