Kathy Valentine's Day

First native Austinite to make the Rock n' Roll Hall of Fame

Kathy Valentine left Austin for L.A. when she was 18, moved back as a 47-year-old in 2006, and has never stopped playing the electric guitar.

“I’ve only played bass in one band,” she said on the phone from her home off Bee Cave Road. That was, of course, the Go-Go’s, who from 1981-85 showed a nation of teenage female rockers that they too could one day be all over MTV (which used to mean everything). The Go-Go’s were party girls who didn’t always get along, which made for one of the all-time greatest episodes of VH1′s Behind the Music.

Valentine has never been careful of what she dreamt for. It’s always been rock ‘n’ roll. Her mother Margaret, a hip, pretty divorcee with a British accent faded by Doug Sahm records and the Texas sun, had a boyfriend who left his guitar and amp behind one week; when Kathy strummed her first electrified C chord, she felt power when she needed some. Around the same time, a late-night music TV show aired footage of Suzi Quatro fronting her band in England. “It hadn’t dawned on me until then that a girl could be in a rock band,” she said of the pioneer rocker honored in Austin in 2013 at the short-lived MEOW Con.

The third epiphany of a 15-year-old Kathy Valentine, who dropped out of Reagan High freshman year and went to “a hippie school” in Bastrop called Greenbriar, was seeing the Fabulous Thunderbirds at a Sixth Street bar called the Lamplighter. The year was 1974 BA, before Antone’s. “My girlfriend and I, we were both transfixed by Jimmie Vaughan,” she said. “She wanted to be with him, and I wanted to be him.”

Kathy Valentine’s father was an airman from Lubbock who met her mother when he was stationed overseas and brought her back to Texas. After the divorce, when Kathy was 3, he wasn’t around much. Margaret and Kathy were a team, raising each other.

There were frequent visits to England to see Margaret’s family, and on one of them, when Kathy was 17, she fell in with a band of women who would eventually form the heavy metal group Girlschool. It was 1976, and the first gurglings of the London punk scene also caught Valentine’s attention.

The Violators sitting, appropriately, on the rubble of the former Mother Earth rock club on North Lamar. 1977.

Back in Texas, she started Austin’s first punk band, the Violators, with guitarist Carla Olson, bassist Jesse Sublett and drummer Marilyn Dean in 1977. “Kathy and Marilyn were a couple of free-range kids; they were wild,” said Sublett. “Kathy would crack you up, man. She was a cross between Keith Richards’ little sister and Lucille Ball.”

While Sublett started concentrating on the Skunks, the band he formed with Olson’s boyfriend Eddie Munoz, the rest of the Violators moved to Los Angeles.

“We were so homesick,” Valentine says. “We’d go out to see every Texas band that played L.A. — the Werewolves, Doug Sahm, Gary Myrick and the Figures.” It was Sahm who had first called her on to a rock club stage, when she was 16 and played “Carol” at the Rome Inn with Sir Doug’s band. Valentine and Olson were Texans lost in L.A., so they called their next band the Textones.

“In L.A., there’s always a carrot dangling in front of you,” Valentine said of spending ages 18 through 21 in the ultra-competitive Hollywood rock scene. “You think every show is your big break. There could be five people in the audience, but one of them could be the guy who signs you to a record deal.” The Textones felt they’d really broken through when they lent their equipment to Nick Lowe for his “Cruel to Be Kind” video. Every time the camera caught the drum kit, there was that band name: “TEXTONES.”

But the twangy new wave band struggled, while another female rock band in town was starting to get big. The original Go-Go’s were awful, almost a joke band with that sorority girl trying to be Exene and the musicians falling all over the instruments they could hardly play. (I saw them in 1978.) But the additions of serious musicians- Charlotte Caffey on guitar and drummer Gina Schock- brought a solid foundation. The group needed a new bass player and they’d be on their way.

Go-Go’s at JB Scott’s in Albany, NY 1981.

One night at an X show at the Whiskey A-Go-Go, Caffey approached Valentine and asked her if she could play bass. She couldn’t. “Sure,” Valentine replied, then spent a week teaching herself how to play the Go-Go’s material on four thick strings. Her first show with the band was at the Whiskey a Go-Go on the night 1980 became 1981. She turned 22 a few days after that.

The 1981 debut LP Beauty and the Beat, which closed with Valentine’s “Can’t Stop the World,” sold over 2 million copies, and the Go-Go’s became the sensations that their L.A. predecessors the Runaways never were. Valentine wrote the title track of the 1982 follow-up “Vacation” while a member of the Textones, but when Jane Wiedlin improved the first line to “Can’t seem to get my mind off of you” and Caffey changed a couple things on the chorus, all three were credited as writers. “I didn’t think about it at the time,” Valentine said of relinquishing 2/3 of the royalties for a song that she’d already recorded with full credit. “We were all in it together.”

Belinda Carlisle was the star of the Go-Go’s, but because Valentine, Caffey and Wiedlin wrote most of the material, they made more money than the singer, which no doubt created some of the interband unrest. After just four years and four Top 20 hits (“Our Lips Are Sealed,” “We Got the Beat” and Valentine co-writes “Vacation” and “Head Over Heels”), Carlisle left to start a solo career, and the Go-Go’s went-went away.

But there have been many reunion tours since the band first got back together in 1990 and formed a corporation with Valentine and the other four members as equal 20 percent partners. Once thought of as something of a novelty, the Go-Go’s became hailed as trailblazers and could still fill 3,000-seaters with ease. Valentine continued as a member of the group and was set to embark on a new tour in August 2012, when she fell at home in Austin and broke her wrist. Although Valentine played bass on the encore of a show in Austin on Sept. 25, 2012, she was replaced on the tour. And then replaced in the band. She sued her partners in the Go-Go’s in 2013, but issues were eventually resolved and Valentine returned as a Go-Go in 2018.

The first female rock band to have a platinum album of songs they wrote, sang and played on, the Go-Go’s were finally included into the Rock and Roll Hall of Fame in October 2021. Because their heyday was only four years, they’d been overlooked to the point that they’d never even been nominated before. But a jukebox musical on Broadway and Valentine’s acclaimed 2020 autobiography All I Ever Wanted upped the ‘80s band’s profile. They got in on the first try.

Margaret Valentine, a single mother who raised her daughter in Austin (just as Kathy has done), lived to see that induction. Sadly, she passed away June 29.

If you haven’t yet, read Valentine’s book, one of the greatest memoirs ever about rock and roll addiction. It doesn’t hold back, plus you’ll find out which Austin musician inspired “Vacation” after a fling with KV.